Questions that I've asked:
- Do they move me in some way emotionally? I Love You Sweatheart. Yes, certainly.
- Do they engage me with their content or story? The Delicate Plummeting Bodies Yes.
- Do they mean or be? Mean. Even the excerpt from Stien from Tender Buttons "means" something to me, perhaps because we've adopted into our family's cache of language. But I like a story, a little excerpt even, which helps illuminate some aspect of life.
Other thoughts:
- I need more than surface gloss. I need content and surface, such as sound that is in accord with the meaning. Yes, I know I've talked about this one before, but Owen's poem seems to do this exceptionally well:
What passing-bells for these who die as cattle? -
Only the monstruous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
- I need poems whose words fit perfectly and perhaps manage to slip in an extra sense which adds another layer to the poem.
Auden:
'Into many a green valley
Drifts the appalling snow;
I feel as if I'm a demanding reader. I hope that I can remember to demand these things from my own poems.
1 comment:
Dick,
Hello & thanks for stopping by. I'm only familiar with Owen's final drafts; the ones found in the standard anthologies. I'm currently reading _The Penguin Book of First World War Poetry_ by Jon Silkin alongside _
The Great War and Modern Memory_ by Paul Fussell. I'm always stuck by how seemlessly Owen manages to merge the content and meaning of his poems with the sound. Do you have a recommendation of where to find earlier drafts of the poems? Or a recommendation for a good book that covers Owen's work?
Thanks for your thoughts,
Amy
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